Thimbletronic
cutup, walls o noise, and far-out improv are all considered
"experimental music" and so are some examples
of modern classical, avant-garde jazz, drone, free, ambient, noise,
electronic, industrial, and post-rock, not to mention highfalutin
mathematical compositions. Clearly, were dealing with a
slippery genre. What exactly is experimental music? James
Boring, who performed at the festival with Portland group A Nat
Hema, describes it as "music which is open to its own evolution
in the process. Experimental musicians are not entirely sure of
the outcome of their efforts... It's kind of like exploring, or
being a scientist."
There's a
crossover between the 'experimental' festival and the Olympia
Strange Music Society, and those involved differentiate between
the two labels. "'Strange music' I think encompasses a little
more, including unintentionally weird stuff that you find in thrift
stores, lounge stuff, and exotica," explains McAdams. "Experimental
music is more an approach than a genre (to me anyway), where you
do something to see what will happen with results that aren't
predetermined."
Dionyso maintains
that there is "never a fixed definition. Like when you go
into a record store and look for the experimental section
probably a lot of electronic stuff, some post-Cage 20th century
classical composers, some really twisted jazz or noisy stuff.
But strange music includes all of that, and also includes
somebody's retarded uncle who lives in a tree doing jaw harp solos
or humming through a comb or whatever."
Bleepy-Bloopy
Noises
Steve Fisk
is headlining for a reason: he is a legendary figure in the Northwest.
Hes been creating pastiche and playing keyboards for years,
releasing solo work and playing with Pigeonhed and Pell Mell.
His production credits span two decades of prime indie material,
including Beat Happening, Nirvana, Low, Soundgarden, Screaming
Trees, Unwound, and Boss Hog. Hes basically a rock star,
one who happens to be into cutup, Optigans, and bleepy-bloopy
noises.
1
2
3
4 5
6
7 8